You want an editor who can write, teach, and edit brilliantly.
Any editor must understand how to:
- use writing craft
- teach you how to enhance your writing craft
- communicate writing solutions clearly and directly
- provide the support you need to succeed
What you get as a client:
• A passionate reader who enters your story eager to discover your intentions
• A smart editor who quickly discerns if your story is working
• An articulate teacher who helps you fix story problems by developing content and editing current material
• A savvy member of the publishing industry who advises on what makes a book sell, and helps you prepare your manuscript and book proposal for agents and editors
Schedule a phone consultation to get started:
As you stay at home to flatten the curve of the coronavirus pandemic, and turn to writing for an outlet, you have a new option for working with me: a half-hour consultation for $75.
• The half-hour consultation is affordable and allows plenty of time to check in about your ideas and get guidance as you channel your creativity into the writing project you’ve always dreamed.
• As always, let me know if you have questions: firstname.lastname@example.org, or sign up below:
Editing services you get as a client:
• Line Editing—ferrets out craft problems, like inconsistencies in tone, clichés, deficient descriptions, too much telling instead of showing, passive verb choices, dialogue that doesn’t work, imagery that scuttles the atmosphere of your project, and many more elements that go into making a manuscript ready for publishers.
• Developmental Editing—locates deeper story problems and helps you develop the writing to fix them. Story arc/structure problems, and character development are common examples. You have strengths as a writer. It’s my job to capitalize on those strengths, and help you develop the material where it isn’t working so that your story is ready to compete in the marketplace.
• Copy editing—aligns your manuscript with the style publishers use. I employ The Chicago Manual of Style and Merriam Webster, as do most book publishers. I know the rules and make sure your manuscript follows them.
• Proofreading—perfects pages that are ready to go to the printer. Most writers are not at this stage, but you may be if you are self-publishing. It’s about punctuation, paragraph indents, word spacing, italics, typefaces, and the like.
Common problems where I can help:
• You are stuck and can’t make your story work; you need help seeing a solution.
• You need help with story structure.
• You have a finished draft, but you want to be sure it’s ready for agents and editors.
• You have submitted your manuscript to agents, gotten rejections, and you need fresh eyes to discern story, writing and marketing problems.
• You need to write a book proposal and need guidance creating one.
Here’s what Lisa’s clients say:
“I’ve told anyone who would listen that working with Lisa Dale Norton for me was the equivalent of getting an MFA degree. I started writing as a journalist, and finished my work with her as a memoir writer. To me this means I was using the techniques of fiction to craft a story, instead of reporting on it.” —Sally Petersen
“Her work ethic regarding timely responses, pricing, and a genuine commitment to excellence is first rate. I highly recommend her.” —Joe Pritchard
Click here to read more from clients.
Shimmering Images—America’s book for writing memoir
How I came to write Shimmering Images: A Handy Little Guide to Writing Memoir:
Every writing book on the market told them what they should do to create a story, but few offered instruction on how to do it.
With that in mind, I wrote down the simple techniques I’d used for years to help writers get their memories onto the page.
Library Journal found Shimmering Images “hard to put down.”